QG&W is a proud member of The Print Council of Australia (PCA) - a national not-for-profit organisation dedicated to Australian printmaking. The Print Council of Australia (PCA) is a national not-for-profit organisation dedicated to Australian printmaking.

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PPP Finalists

QG&W and judges, Gordon Craig, Peter Lancaster, and Graeme Peebles are delighted to announce the PPP finalists: T J Bateson, Kylie Blackley, Marian Bosch, Des Bunyon, Liz Caffin, Fiona Crawford, Danielle Creenaune, Philip Davey, Clive Dickson, Daniel Emmerig, David Fairbairn, Pauline Fraser, David Frazer, Dianne Glenister, Jacqueline Goedhart, Andrew Gunnell, Carolyn Hawkins, Julie Holmes, Penny Hudson, Claudia Husband, Clare Jackson, Michele Kershaw, Helen Kocis Edwards, Belinda Kopietz, Jo Lankester, Pia Larsen, Nicole Low, Larissa [...]

The Lagoon and Barges, Venice essay by Michael Adcock

ARTHUR STREETON (1867-1943) The Lagoon and Barges, Venice 1908-1910 Zinc etching, 25.5 x 35.5 cm THE COLLECTION OF MICHAEL ADCOCK Reference: Exhibition catalogue, Queenscliff Gallery and Workshop, 2017: Streeton Prints, pp. 12-13. Context This beautiful etching came into my collection by the most fortuitous sequence of events imaginable. I had not been attentive to the gallery scene during these busy years of teaching, and had barely managed to find the time to organize myself to [...]

Q & A with the Print Council of Australia

How did this exhibition come to fruition? After successfully restoring 11 of 12 plates and realising we would be able to edition Sir Arthur’s prints, the artist’s grandson William Streeton asked if there was any way the opportunity could transform into something more for QG&W. William was impressed with our dedication to print and arts education and wanted to offer even more support. He asked if we could give him a wish list to which [...]

Theo editioning Sir Arthur Streeton’s Doge’s Palace – (time lapse video)

There have been many enquiries about the technical details of Sir Arthur Streeton's zinc and copper plate posthumous prints and we find this understandable given today's broad use of the term 'limited edition prints'. People unfamiliar with printmaking can't be expected to know the details. Queenscliff Gallery & Workshop's (QG&W) view and gallery concept is simple - the print (impression) must be hand printed. A digital file of an image output to any [...]

QG&W: Celebrating our first year

QG&W is officially 1 year old today. First and foremost we express our thanks to the incredible Australian printmakers who make our space what it is. This video was made to show the heartfelt efforts of everyone involved with QG&W. We look forward to a very exciting 2017. [vimeo id="195074840" width="690" height="500" autoplay="no" api_params="" class=""][/vimeo]

The Lost Streetons

A huge thank you to The Weekend Australian Magazine for featuring Into The Light, the Sir Arthur Streeton story about the posthumous prints QG&W is editioning. QG&W are closely collaborating with the Streeton family and together, planning Streeton Prints an exhibition with associated events that celebrate the never before publicised set of prints for March/April 2017. Together our aim is to demonstrate the legacy and influence an artist such as Sir Arthur Streeton leaves behind. [...]

QG&W RMIT Graduate Award

As we continue to establish QG&W, predominately exhibiting the work of Australian printmakers and offering art and print workshops to the general public, we feel it is important to also collaborate with the institutions that provide great arts education and support arts students. Together with RMIT, it is our great honor to establish an annual QG&W RMIT Graduate Award. The student receiving the QG&W RMIT Graduate Award receives: five days private access to the print [...]

Credibility: Where did we come from?

'We feel it's fair when visitors to the gallery ask, where did you come from?'. Theo and  Soula are aiming to create an exceptional Australian gallery and workshop and so it makes alot of sense that their new community, gallery visitors, patrons, workshop participants, and new artists, ask this question. Credibility comes with experience and education, and there's no short cut to becoming credible - it's hard work. 'We used our design, event, marketing, customer [...]

June/July at QG&W

JUNE - Mezzotint workshop by Andrew Gunnell with Graeme Peebles [vimeo id="173327265" width="600" height="340" autoplay="no" api_params="" class=""][/vimeo] JULY - Opening of Between a Rock and a Hard Place [vimeo id="173310275" width="750" height="600" autoplay="no" api_params="" class=""][/vimeo]

‘The atmosphere of your gallery is just the right mix of professionalism and friendliness’, Sue

I would like to thank you both so much for organising the bookmaking workshop I’ve been part of for the past two Sundays. I had a lovely time and the small class size was really good. I’m really pleased with my finished book and Andrew was a wonderful teacher- so knowledgeable yet so humble and helpful. The atmosphere of your gallery is just the right mix of professionalism and friendliness. Good luck for the [...]